w/ Charles Latham & The Borrowed Band
A touring member of the newly reformed queer-country icons Lavender Country, Paisley also played keyboard on their 2022 album Blackberry Rose.
On Limp Wrist, Paisley draws inspiration from queer icon Andy Warhol and a myriad of drag artists with whom he’s collaborated. His years of experience in Manhattan piano bars did not diminish his love for country music, and he has already released two albums that pay homage to the music of his youth.
Limp Wrist is an exploration of where rural queerness intersects religion. Paisley’s family were devout Catholics, and he served as the official church pianist in his parish throughout his teens, playing every Sunday.
The songs on Limp Wrist are deeply personal, and often touch on what it was like to grow up closeted and queer in rural Iowa in the early 2000s. “Black Hawk County Line” tells the story of Paisley being outed by a former friend his senior year in high school, “Dial Up Lover” is about logging on to gay AOL chat rooms to find other queers in the area, and “Plastic Rosary” recounts the experience of being told he’ll never get into heaven while praying the rosary.
The most personal and biographical moment comes during “Iowa”, which recounts the tragic murder of Matthew Shepard, and the visceral fear he had to wrestle with since he was already aware of how different he was.
The album ends on an uplifting note, sharing a message of friendship and hope with “Tomorrow Finds a Way”.
The stories are his, but the feelings they convey – love, loneliness, lust, fear – are still universal.
“Latham’s music is passionate with biting wit.” –NPR
“Latham habitually animates pastiches of vintage Americana with deftly verbose lyrics…which positions him well to pull off the wordplay at the bedrock of country songwriting.” – INDY Week
“Reminiscent of the glorious sloppiness of Neil Young & Crazy Horse.” – Folk Radio UK
Charles Latham wields an acid tongue and a poison pen, crafting social criticism, tragicomic narratives, and brutal self-analysis into ramshackle country-rock songs. After a decade of wandering, from Philadelphia to Nashville to Memphis to the U.K., singer-songwriter Charles Latham returned to North Carolina in late 2014, laying roots down in Durham. His 2017 LP, “Little Me Time”, found Latham combining his acerbic wit and quirky songwriting with more polished production values and an expansive sound. In order to bring the songs to life for live audiences, he recruited an ensemble of local talent, now known as The Borrowed Band.
Since then, the Borrowed Band’s fluid line-up has solidified into a core group of musicians, forged into a spectacularly energetic and dynamic live band through the alchemy of constant gigging: drummer “Steamboat” Steve Anderson (Kamara Thomas) and bassist Billie Feather (Hank, Pattie & the Current) providing the foundation from which lead guitarist Luis Rodriguez (6 String Drag) and Gordon Hartin’s (Shooter Jennings) pedal steel launch their fireworks. On vocals and rhythm guitar, Latham is joined by Abby Sheriff, creating a vocal blend that recalls Gram Parsons and Emmylou Harris.
Charles Latham and the Borrowed Band’s 2020 self-titled LP is a celebration of the new sound they have forged together, which marries Latham’s idiosyncratic songwriting style with vintage, psychedelic country-rock.Tickets